I mean it! Lord above! There’s nothing binding us you hate the city … I mean go from beach to beach … live by the water. Well, I don’t mean this one, literally … not all the time. Why wouldn’t I? I don’t even mind the flies and the little … sand fleas, I guess they are. I love the water, and I love the air, and the sand and the dunes and the beach grass, and the sunshine on all of it and the white clouds way off, and the sunsets and the noise the shells make in the waves and, oh, I love every bit of it, Charlie. I would! I’d love it here! I’d love it right where we are, for that matter.
No, silly, not this very spot! But here, by the shore. Still … Oh, Charlie, it’s so nice! Can’t we stay here forever? Please!īecause … because you don’t really mean it. There is a pause and then a jet plane is heard from stage right to stage left-growing, becoming deafeningly loud, diminishing.
Lunch is done NANCY is finishing putting things away. Lincoln Center production at Booth Theatre, 222 West 45th Street, New York City 10/28/05 (preview) 11/21/05–12/31/05. The first performance of SEASCAPE was presented by Richard Barr, Charles Woodward, and Clinton Wilder on Sunday, January 26, 1975, at the Sam S. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system now known or to be invented without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper, or broadcast. The Overlook Press, Peter Mayer Publishers, Inc.įor bulk and special sales, please contact, or write us at the above address.Īll Rights Reserved.
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